Graffiti World by Nicholas Ganz
Graffiti has long been a ubiquitous aspect of the urban landscape, since anonymous, largely unsung spray-can art first hit city walls in New York and Philadelphia in the late 1960s. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere.
Arabic Graffiti by Pascal Zoghbi
Without regional borders or constraints, ‘Arabic Graffiti’ references the use of Arabic script in urban context. It showcases artists, graffiti writers and typographers from the Middle East and around the world who merge Arabic script and calligraphy styles with the art of graffiti writing, street art and urban culture. The project offers many different, diverging and at times contradicting ideas and approaches to treating this sensitive tradition with contemporary vision.
The Faith of Graffiti by Norman Mailer
Photographer Jon Naar has enhanced the original with thirty-two pages of additional photographs that are new to this edition, along with an afterword in which he reflects on the project and the meaning it has taken on in the intervening decades. It stands now, as it did then, as a rich survey of a group of outsider artists and the body of work they created—and a provocative defense of a generation that questioned the bounds of authority over aesthetics.